Modernism's Masculine Subjects
Marcia Brennan
2004
BRENNAN, MARCIA.
Modernism's Masculine Subjects. Matisse, the New York
School, and Post-Painterly Abstraction.
Cambridge 2004.
XI, 213 S. mit 53 (8 farb.) Abb., Bibliographie, Index,
Ln.
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How postwar abstract modernist paintings came to be seen as metaphorical embodiments of masculine selfhood; an examination of the critical discourse surrounding the work of Matisse, de Kooning, Pollock, and the post-painterly Abstractionists.
Titel zum Thema:
Bookhit Jg Kunst - Zeitgenössisch Abstract Expressionism