KÜSTER, BERND.:
Künstlerkolonie Willingshausen |
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| Kunstschaffen in der Schweiz 1848-2006 Dieses neue Standardwerk zur Kunst in der Schweiz spiegelt das breite Spektrum des Kunstschaffens von der Gründung des Bundesstaates 1848 bis zur Gegenwart: Malerei, Skulptur, Plastik, Zeichnung ... |
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Le Louvre a l'epoque romantique Werke der Maler Gros, Gerard, Ingres oder Delacroix, des Bildhauers David d'Angers oder der Architekten Percier oder Fontaine. |
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| | Museo Stibbert: Salone delle feste |
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Art Nouveau: Donation Rispal Über einen Zeitraum von über dreißig Jahren von 1920 bis 2003 waren die beiden Geschäfte von Antonin Rispal im 7. Arrondissement von Paris eines der wichtigsten Ziele für Liebhaber und Sammle ... |
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| BAIER, WOLFGANG.:
Baier: Welch herrliches Helldunkel! |
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| HAPP, MARTIN.:
Happ: Bilder vom Heiligen Martin |
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I LIKE AMERICA. Fiktionen des wilden Westens * Deutschland wurde Anfang des 19. Jahrhunderts von einer Welle der Begeisterung für den Wilden Westen und dessen Klischees von Gut und Böse erfaßt. Genährt von James Fenimore Coopers "Lederstru ... |
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| Segno della Scapigliatura |
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| Alexander, Michael:
Medievalism |
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BRETELL, RICHARD R.:
Norton Simon Museum: 19th Century I This is the first critical catalogue of the collection of nineteenth-century paintings and drawings in the Norton Simon Museum of Art. World-renowned for its strength in works by the French impres ... |
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| | The Work of Art and Its Reproduction As early as 1839, the reproduction of art works was regarded as primary subject for photography. Far from being neglected by the pioneer photographers, it was a major stake for the most talented a ... |
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Meyer, Jonathan:
Great Exhibitions In this book, Jonathan Meyer looks at major international exhibitions held during the nineteenth century and focuses on the important changes taking place at this time, in both society and design. ... |
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| Walter, Marc:
Portrait d'un monde en couleurs Premières photographies en couleurs à l'usage du voyageur. |
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| Fara, Amelio:
Napoleone architetto The first part deals with the contraposition, which emerged at the end of the 18th century, between the utopia of the unfortified town, imagined by Wolfgang Goethe, and the towns of Napoleon, inse ... |
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Pittori umbri dell' Ottocento |
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| | Women and Impressionism A thoroughly analysis of how the concepts of "woman" and "femininity" unfold inside the broader spectrum of Impressionist paintings by male as well as female artists. |
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Alofsin, Anthony:
When Buildings Speak The canonical inventors of the International Style have long dominated studies of modern European architecture. But in "When Buildings Speak", Anthony Alofsin broadens this scope by exploring the ... |
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| Katcher: Expressions of Innocence American folk art and decorative arts from the early years of the Republic are telling indicators of family traditions, aesthetic values, and household customs of the young nation. Showing us how ... |
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| YOUNG AMERICA A generous selection of illustrations includes well-loved works by such artists as Winslow Homer and Eastman Johnson, as well as fascinating archival images. With engaging depictions of children f ... |
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THE CLARK BROTHERS COLLECT Brothers Sterling and Stephen Clark - heirs to the Singer sewing machine fortune - were among the twentieth century's most influential art collectors. This volume examines their magnificent collec ... |
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| Post-Impressionnistes: Collection Guy Die Schenkung Guy an das Musee Labinet umfaßt 80 Gemälde und 21 Zeichnungen; sie wird hier gemeinsam mit einer großen Anzahl Zeichnungen von Paul Signac gezeigt. |
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Americans in Paris 1860-1900 For the first time in Britain, this exhibition will look at why American artists were drawn to Paris, what they produced there, and how their art changed. The exhibition includes well-known artist ... |
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| CUGINI, CARLA.:
Er sieht einen Fleck: Impressionismus "Er sieht einen Fleck, er malt einen Fleck", mit dieser Äußerung bringt der Kunstkritiker Georges Guroult 1881 den impressionistischen Maler mit dem physiologischen Sehvorgang in Verbindung. Auf ... |
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| SMITH, JONATHAN.:
Smith: Darwin + Victorian Visual Culture Although the "Origins of Species" contained just a single visual illustration, Charles Darwin's other books, from his monograph on barnacles in the early 1850s to his volume on earthworms in 1881, ... |
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